- IL CANTO DEI SUICIDI -
an immersive VR & 360° work by
Vincent Ciciliato & Christophe Havel
A production ART ZOYD - Centre de création musicale
With the support of
la SCAM - Société civile des auteurs multimédia (bourse Brouillon d'un rêve)
and CIEREC - EA3068
CAST /// Musical composition : Christophe HAVEL /// Visual environment : Vincent CICILIATO /// Actors : Agathe GRISERI - Andrei MINDRECI - William PALET - Anne-Céline TRAMBOUZE /// Singers : Hélène ARDOIN (soprano) - Clara PERTUY (mezzo-soprano) - Karen KOULAKIAN (ténor) - Clément GODART (basse) /// Art Zoyd production : Gérard HOURBETTE - Monique VIALADIEU - Charlotte ZISSELER /// RIM : Oudom SOUTHAMMAVONG /// Shooting assistant : Julie PEYRON /// Body 3D scan : Antoine VANEL /// Visual FX : Hamid ARMANI /// Probationers : Hamid ARMANI - Vincent BARTISSOL - Omar RACHEDI /// Special thanks : Celia BONNET-LIGEON & David-Olivier LARTIGAUD of Labo-NRV (Les Subsistances)
Il canto dei suicidi is an immersive VR and 360° series project freely inspired by the Canto XIII of Dante Alighieri's Divine Comedy. The original story informs us that the souls of suicides are plunged into Hell, reincarnated as trees with sinuous branches. Condemned to this eternalfixity, these half-human half-vegetal entities sustain the appetite of the harpies who devour their branches. Il canto dei suicidi is based on various patterns present in Dante's story : the perpetual cycle of punishment ; the reincarnation in plants ; the amputation by devouring ; the domination of the harpies ; the separation of souls from their bodies when they return to Earth on the Day of Judgment. To these are added two elements : 1, the act of suicide ; 2, the period preceding the act. These motifs are recontextualized in a unitary musical and visual environment within which the visitor can circulate freely (on the ground and in the air.
The general framework consists of a gigantic rectangular platform surrounded by a forest. It is home to half human, half plant trees, integrating the souls of suicides. Above, suspended in the sky, float huge platforms (or housing units). Each platform stages an allegorical stage ranging from the mental state that precedes the suicide, through the suicide and the torture that the souls undergo while being devoured by the harpies, until the reincarnation in entities without body the days of the Last Judgment. The musical environment that surrounds each platform envelops the visitor with a sound space related to the mental state of each place.
- 360° SERIES -
CHAPTER # 1/5 (test export version)
CHAPTER # 2/5 (test export version)
CHAPTER # 3/5 (test export version)
CHAPTER # 4/5 (test export version)